Thoughts from the office by Ed Ball
Friday, April 28, 2006

To truly appreciate The Elements of Typographic Style, by Robert Bringhurst, you should probably be a designer – someone who can speak the language of aesthetics and art and feeling, etc. A writer might also appreciate the book, particularly for its many tips on using typography properly on the printed page. Since I am neither designer nor writer, I’m not exactly the book’s primary audience, and thus didn’t end up enjoying it as much as I had hoped.

Even so, I made it through half the book before I began to skim. The author is clearly a man who is madly in love with typography and its impact on the written word. A left-brained brute like me can, to a degree, enjoy a well-styled page of prose. Hopefully, reading this book will have helped me recognize some of the key features of good typography. Like so many critics, I know what I don’t like, so I’m glad that there are people who can use the principles in this book to create designs that I don’t “don’t like”.

Update: Be sure to read Eli's comment, which eloquently explains how I managed to read the first half of the book. :-)

4/28/2006 12:18:10 PM (Pacific Daylight Time, UTC-07:00) | Comments [1] | Books#
5/1/2006 10:08:16 AM (Pacific Daylight Time, UTC-07:00)
True, aesthetics is a branch of philosophy and not one of the hard sciences, but of all the style and design books out there that I've ever read, Bringhurst's is the most principled, by which I mean he uses not just the language of "art and feeling" but also lays out governing principles and the rationale behind them. The ultimate rationale behind every design principle is, of course, that elusive thing called Beauty, but along the way to defining an objective, measurable quality that at least approximates it, there ought to be a lot of fodder to keep the left-brain happy. Fibonacci series, hello? :-)
Name
E-mail
Home page

Comment (HTML not allowed)  

Enter the code shown (prevents robots):

Search
Archive
Links
Categories
Administration
Blogroll